Best movies of all time

After a mysterious cosmic event rips Oak Street from suburbia and transports their neighborhood to someplace unknown, the Platt family soon discovers that their very survival depends on them sticking together as they navigate their now unrecognizable surroundings.

George Lutz, his wife Kathy, and their three children have just moved into a beautiful, and improbably cheap, Victorian mansion nestled in the sleepy coastal town of Amityville, Long Island. However, their dream home is concealing a horrific past and soon each member of the Lutz family is plagued with increasingly strange and violent visions and impulses.

A real estate agent leaves behind his beautiful wife to go to Transylvania to visit the mysterious Count Dracula and formalize the purchase of a property in Wismar.

A former drug lord returns from prison determined to wipe out all his competition and distribute the profits of his operations to New York's poor and lower classes in this stylish and ultra violent modern twist on Robin Hood.

Charlie Lang is a simple, kindhearted New York City cop. When he realizes he has no money to tip waitress Yvonne Biasi, Lang offers her half the winnings of his lottery ticket. Amazingly, the ticket happens to be a winner, in the sum of $4 million. True to his word, Lang proceeds to share the prize money with Biasi, which infuriates his greedy wife, Muriel. Not content with the arrangement, Muriel begins scheming to take all the money.

In the highlands of Scotland in the 1700s, Rob Roy tries to lead his small town to a better future, by borrowing money from the local nobility to buy cattle to herd to market. When the money is stolen, Rob is forced into a Robin Hood lifestyle to defend his family and honour.

In the racially divided town of Anderson, South Carolina in 1976, football coach Harold Jones spots a mentally disabled African-American young man nicknamed Radio near his practice field and is inspired to befriend him. Soon, Radio is Jones' loyal assistant, and he becomes a student at T.L. Hanna High School. But things start to sour when Coach Jones begins taking guff from parents and fans who feel that his devotion to Radio is getting in the way of the team's quest for a championship.

Two young brothers in contemporary Russia are reunited with a father they know only from an old photograph after his sudden return from a long absence. With their mother’s reluctant consent, they set out on a remote trip that quickly becomes an uneasy test of authority, trust, and masculinity. As the journey moves deeper into the wilderness, the fragile bonds between father and sons are pushed to their limits.

A covert team of elite operatives are living in the shadows. When a ruthless despot steals a billion-dollar fortune, they're sent to take it back—an impossible heist that erupts into a deadly game of strategy, deception and survival.

When a U.S. Navy pilot on a top-secret mission during the Cold War gets trapped behind enemy lines, his only chance at survival is to form an alliance with an eccentric ex-KGB agent.

In a fairy-tale kingdom where beauty is a brutal business, Elvira battles to compete with her incredibly beautiful stepsister, Agnes, and she will go to any length to catch the Prince’s eye.

After her husband's abrupt death, Alice seeks solace with his remaining family — descendants of a leading researcher on demonic possession. As her in-laws transform one by one into creatures that feed on fear, she comes to discover that the vows she took in life survive even in death.

A man living in self-imposed exile on a remote island rescues a young girl from a violent storm, setting off a chain of events that forces him out of seclusion to protect her from enemies tied to his past.

What starts as a poignant medical documentary about Deborah Logan's descent into Alzheimer's disease and her daughter's struggles as caregiver degenerates into a maddening portrayal of dementia at its most frightening, as hair-raising events begin to plague the family and crew and an unspeakable malevolence threatens to tear the very fabric of sanity from them all.

Georgekutty lives a happy life with his wife and daughters. Things take a turn when his daughter gets indecently filmed using a hidden camera, by the son of a police inspector.

In the days following the surrender of Germany in May 1945, a group of young German prisoners of war is handed over to the Danish authorities and subsequently sent to the West Coast, where they are ordered to remove the more than two million mines that the Germans had placed in the sand along the coast. With their bare hands, crawling around in the sand, the boys are forced to perform the dangerous work under the leadership of a Danish sergeant.

Lily and Amanda, two high school students living in suburban Connecticut, rekindle their unlikely friendship after years of drifting apart. Together, they devise a plan to kill Lily's abusive stepfather by hiring a lowlife drug dealer.

While vacationing at a remote cabin, a young girl and her two fathers are taken hostage by four armed strangers who demand that the family make an unthinkable choice to avert the apocalypse. With limited access to the outside world, the family must decide what they believe before all is lost.

Through unlikely bonds formed during night shifts at a local aquarium, Tova, an elderly widow, learns of a life-changing discovery that may bring her joy and wonder once again.

Manhood, a new documentary about “girth enhancement,” explores how wellness professionals are encouraging men to undergo increasingly extreme procedures to be sexually desirable.

She was scared of him but soon loosened the Shakespearean up – then watched him give Star Trek depth, even insisting scenes be rewritten for her. Captain Picard’s right-hand woman salutes her fabulous friend I’d been warned about Patrick by friends who’d worked with him at the Royal Shakespeare Company. They said: “Marina, you can’t be you around Patrick Stewart. He’s all about the work. He takes it very seriously and he won’t abide you mucking about and trying to make people corpse.” We had been cast together on Star Trek: The Next Generation and, because of what I’d heard, I was a bit scared, a bit intimidated. And let’s be honest – Patrick was very serious about the work. But there was a concerted effort by the rest of us to beat it out of him. We were from a younger generation and we wanted to shake up this Englishman who was so typical of his generation – stiff upper lip and a Yorkshireman to boot. You know, the kind of person who was not exactly renowned for showing their emotions. Early on Patrick told us all that we weren’t there to have fun, and you should have seen the looks he got. I’m a cockney: I’ve got a Spurs tattoo and we all looked at him in the same way I look at an Arsenal fan. But we did loosen him up. And – he’s said this himself – I think we actually freed him. We gave him a freedom that he said he’d never really felt before. Continue reading...

The late actor’s co-stars in Logan and Anthony and Cleopatra remember dog impressions, marching band-conducting and a fervent belief in fun I had the unbelievable privilege of working with Patrick when I was 11 [in Logan]. He was a man of extraordinary warmth, wit and generosity. He possessed that increasingly rare ability to make everyone around him feel as though they were being let in on something wonderful. To work alongside him was to be reminded, every day, of what it means to love what you do, and to share that love with others. He imparted lessons in a way that was so wise, you didn’t even realise you were being taught. Continue reading...

The maximalist, heart over head adaptation of the romantic tragedy made stars of its leads and became an English teacher’s most trusted weapon for Bard-averse students Romeo + Juliet is not the most renowned or beloved of Shakespeare’s plays, but it is perhaps the most foundational. The 16th-century tragedy, a story of love-addled teenagers and white-hot resentment, is often an English student’s first introduction to the bard’s oeuvre – more accessible and relatable to teens, with its plaintive lust and histrionic mood swings, than the more austere machinations in, say, Macbeth, Hamlet or Othello. And if Romeo + Juliet is the young person’s entry to Elizabethan English, perhaps no version of it is more worthy of the term “gateway drug” than Baz Luhrmann’s 1996 film version, which reimagined Verona’s family feud as a tropical gang war and launched an army of teenage crushes with the faces of Leonardo DiCaprio and Claire Danes. The maximalist interpretation of Shakespeare’s most lovelorn work, released 30 years ago this week (!), retains Elizabethan verse but announces its divergence from rigid classicism from the jump. Our scene is set in fair Verona beach by a news anchor via TV set, relaying the woe of two star-cross’d lovers before clips of civil strife. Fresh off his breakout success in 1992’s Strictly Ballroom, the Australian director boldly mapped the medieval story on to 90s tabloid fixations – grainy footage of violence in the streets, magazine headlines of capos and criminals, helicopter views of car chases and riots that recalled the media circus around the OJ Simpson chase two years prior. It is a movie that could have only been made in the 90s; Luhrmann’s vision of two warring families as rival gangs, replete with their own economic operations and marked territory, tapped into the era’s preoccupation with gangland as a source of transportive art, from movies to hip-hop, and as a conservative fixation for ideas on intrinsic criminality. Continue…

You Can See Everything, a documentary about the disgraced health tech company founder Elizabeth Holmes, has enjoyed a record-breaking opening in the US. It is a testament to how fascinated we remain by the convicted fraudster, but what is behind the enduring appeal? US technology editor Blake Montgomery tells Madeleine Finlay why Holmes continues to fascinate us, and reflects on whether the Theranos scandal has had a permanent impact on Silicon Valley Clip: You Can See Everything, A24 ‘You can’t make this stuff up’: why we remain fascinated by Elizabeth Holmes Continue reading...

Ana Ts’uyeb’s poetic film celebrates the resilience of Indigenous women while exploring the possibility of a different future Shot in her home village of Naranjatic Alto in the Mexican highlands, Ana Ts’uyeb’s documentary debut is a stirring ode to the courageous women of the Indigenous Tzotzil community. The film centres on three important figures in her life: her mother, Margarita; her aunt, Juana; and her sister-in-law, Faustina. Each is from a different generation, yet they have all suffered at the hands of patriarchal violence. The patterns of systemic abuse and disenfranchisement are startlingly similar. All three women recall past opportunities to advance their education, hopes and dreams that were squashed by fathers and other male relatives. Also rampant are physical and psychological abuse. There’s a sobering matter-of-fact tone to their reminiscence; their unfortunate experiences appear to be a common reality endured by many Tzotzil women. Continue reading...

The expansive project has hype and money behind it – but how do you avoid it falling into the disappointment trap so many films end up stumbling into? If the history of failed Hollywood fantasy projects over the past 20 years has taught us anything, it is that transporting audiences to another world is only half the battle: you also have to give them a reason to spend several hours there. The Golden Compass diluted Philip Pullman’s theological bite, Warcraft thought that just explaining its world would make us care about it, and The Dark Tower compressed Stephen King’s sprawling mythology so ruthlessly that it scarcely left room for a story. All these films at one point had fans of the original source material quivering with anticipation at the prospect of seeing their beloved worlds on the big screen; all ended up disappointing. Which brings us to the forthcoming Alex Garland adaptation of the hugely popular high fantasy video game, Elden Ring. If there was ever a cinematic test of the phrase “too big to fail”, it is surely this. Elden Ring has sold more than 30m copies and is widely regarded as one of the greatest video games ever made. George RR Martin himself wrote the foundational mythology of warring demigods that underpins its gorgeous fantasy hellscape. And Garland as writer-director seems almost impossibly perfect: as the creative behind Dredd, Ex Machina and Annihilation, he has both the taste for beautiful nightmares and the geek credentials to deliver something extraordinary. Continue reading...

The playwright’s daughter found Catch Me Who Can after her mother’s death. Now it has become a compelling audio drama with Toby Jones and Rita Tushingham Was Shelagh Delaney a one-hit wonder? Absolutely not. Aside from A Taste of Honey which, in the words of Dominic Dromgoole, “has a rock-solid heart and the gleam of the natural”, she wrote the screenplays for the films Charlie Bubbles and Dance With a Stranger, TV series including The House That Jack Built and several radio plays. But now a 30-minute piece, Catch Me Who Can, has come to light, been released as an audio drama and turns out to be a little gem. Its origins are fascinating. It deals with a teenage truant and was discovered by Delaney’s daughter, Charlotte, after her mother’s death in 2011. But why did it lay hidden for so long? According to Charlotte, who has adapted it for audio: “It imagines my last few hours on the lam having run away from home and school when I was 14 in 1978. I was gone for three days and two nights. I’d suggest it’s a racing certainty that the reason nothing has ever been heard of it is that it’s about me and my mum had rules about that kind of thing.” Continue reading...

Written by Vicar of Dibley co-creator Paul Mayhew-Archer, who has the disease, Onwards and Sideways sees the actors play a couple who bond over their diagnoses – a devastating subject but laced with humour too, they say Ahead of production on their first job together, Rhys Ifans and Laura Linney didn’t undergo the standard “chemistry read” to make sure they got on. Which is remarkable, given what their characters would have to do to each other in Onwards and Sideways. In the Norfolk-set BBC film directed by John Madden (Shakespeare in Love), Ifans would have to nearly throttle Linney while in the grip of night terrors, she’d have to collapse in his arms in a weeping mess having bankrupted herself with a gambling addiction; both situations arising from the neurological condition afflicting their characters: Parkinson’s disease. Continue reading...

What happens when a forest loses its birdsong? Following clues hidden in the sounds birds make while asleep, Argentinian physicist Gabriel Mindlin uncovers a hidden extinction – not of species, but of memory – and sets out to revive vanished melodies before they disappear forever. Part detective story, part cutting-edge science, Mindlin’s mission leads him to the dusty 1960s archives of Buenos Aires naturalist, confirming that some songs no longer echo in the biosphere. So he deploys “robot tutors” to see whether young birds can learn and spread the old songs once again. Read more on this topic: Trill seekers: can scientists use AI and tutors to help birds remember lost songs? Continue reading...

The Jojo Rabbit director blamed the dismal numbers for his film of Kazuo Ishiguro’s novel on ‘obsolete’ reviewers’ notices, adding that he works ‘for the people’ – whose Rotten Tomatoes ratings are much higher Taika Waititi has launched a furious broadside at “critics” following the disastrous commercial performance of Klara and the Sun, his new film adapted from a Kazuo Ishiguro novel. In a post on social media, Waititi wrote: “This Halloween, let’s spare a thought for those sad lost souls who couldn’t achieve their dreams of becoming artists, and thus settled, and became critics.” Continue reading...

Following a Syrian mother and daughter over a decade, Itab Azzam and Jack MacInnes capture a family transformed There’s a startling moment in this BBC refugee documentary when Syrian mother Nisreen – in the apparently miserable situation of hiking across the Balkans towards Germany, four kids in tow – suddenly explodes with joy. “This is the best holiday I’ve ever had! It’s an amazing adventure. Now I have the chance to walk in the rain – I love it!” Shunted off early into an arranged marriage, never having left Syria until forced out of Aleppo by the civil war, for Nisreen this running jump into the unknown represents total liberation. Itab Azzam and Jack MacInnes’ superb, forthright and highly moving film bypasses the usual refugee dichotomies, that they’re either external threats or history’s victims. Instead of flat abstractions, we get the knotty reality. Focused over a 10-year period from 2015 to 2025 principally on Nisreen’s eldest daughter Israa, it presents an intimate chronicle of how geographical displacement and cultural dislocation reshape families and lives from the inside. Continue reading...

Not only did Craig insist his 007 die at the end of his run, but now we learn from Dench’s memoir that it was his idea to kill her off too. How will the next Bond top that? Shoot a puppy? Now that the next James Bond actor is on the brink of being unveiled, it may be a good time to take a proper look at the prior 007 with clear eyes. Because, while the reputations of all the previous Bonds have ossified over the years – in chronological order: sexy, wooden, camp, boring and silly – the Daniel Craig era is finally coming into focus. And it turns out that he was actually the angel of death. Obviously anyone who saw No Time to Die knows this, because that film ended with Bond being exploded in a hail of missile fire. But according to Judi Dench’s new memoir Is It Too Late to Make a Run for It?, it was also Craig’s decision to kill off M, too. Continue reading...

Daniel P Lewis stars in his own script as an isolated man beset by trauma as a helpline counsellor Walters tries to heal his pain While working for a helpline one night, counsellor Grace (a terrific Hannah Walters) gets a call from Walter (Daniel P Lewis, also the film’s screenwriter), an isolated working-class man beset by trauma and loneliness who is contemplating killing himself. Grace quickly ascertains that Walter is in profound emotional distress, and although he keeps hanging up on her when her probing questions become too painful, he also keeps calling back until he feels safe enough to speak about the root causes of his anguish and accept help. However, other factors threaten to destabilise Walter’s fragile recovery as the violence that’s always been a part of his life erupts once again. Even if you didn’t read up on any of the background to this intimate, microscale drama, you’d be likely to suss while watching that it’s a labour of love for some of the cast and crew, perhaps born of a desire to show people in pain that there is help out there for them. That manifest sincerity and altruistic intent is so strongly palpable here that it somewhat wards off negative criticism, but it has to be admitted that the film does have its weaknesses. For a start, confining the action to Grace and Walter’s conversations and then observing how he reacts increasingly self-destructively after each talk means we follow a repetitive cycle of confession-reaction rinse-and-repeat. Lewis’s performance is dialled up to the max from the start, so it doesn’t have anywhere to go over the long haul. Added to which, the film keeps cutting away to somewhat strident flashbacks to explain what happened to him, instead of letting the revelations emerge through speech. Continue reading...